Monthly Archives: October 2012

Mon 22 October 2012 – Fri 4 January 2013 at WATERMANS, LONDON

enter12 is Watermans’ annual exhibition of the year’s finest work by South Asian Digital Art and Design Graduates.

Hosted by Watermans New Media Gallery, enter provides a platform to showcase the emerging talent in the field of digital art, design and media production.  This year’s exhibition includes work that involves innovative processes and diverse material ranging from design, interactive installation, film, graphic and communication design.

The exhibiting artists have been handpicked from some of the country’s leading Institutes that offer unique opportunities in exploring digital art, design and innovative technologies. The selected artists take different approaches to the use of technologies in their practice in order to articulate their responses to contemporary issues in an innovative manner.

Selected artists

Deshna Mehta
Khalid Rafique
Samia Rajar
Owl and the Abacus
Akriti Devi

Selected artists

Deshna Mehta – MA Visual Communication, Royal College of Art
MA Graphic Design, London College of Communication


Passive traces of an ‘act’ive performance

If you think of acting spontaneously, it is no longer spontaneous because you are conscious of it. The only awareness of spontaneity comes from thinking about it as having happened in the past. The minute you reflect on the act of being spontaneous, you go back into the past and lose out on the present. In a spontaneous act, is it the death of the observer? Without an observer is there any observation? The nuances of these complexities surface in my (conscious) practice seeking for an answer, more often than not, only culminating into several questions. This pursuit led to the exploration of quantum physics and eastern mysticism expressed metaphorically through a performative installation.

What quantum mechanics says is that nothing is real and that we cannot say anything about what things are doing when we are not looking at them. Nothing is real unless it is observed …. and we have to accept that the very act of observing a thing changes it.– John Gribbon

Those who speak do not know, those who know do not speak.– Lao Tzu

What you will witness here is only a document, a re-enactment and a few traces extracted from the interaction with a performative installation which expresses that something’s cannot be documented or the act of documenting changes what ‘is’ being documented, therefore it ceases to be what it ‘is’. This installation is a ‘conscious’ attempt to ‘experientially’ bring forth the beauty and power of spontaneity(a moment that stems out of the sub-conscious/unconscious) embedded in the phenomenon of direct experience. For the very fact that it is a conscious attempt, it takes away from the act of ‘being’ or being spontaneous.

Therefore, a conscious contradiction.

More on:

‘The reverse side also has a reverse side’. Subjective objectification, objective subjectification.
Nietzsche speaks of this space stating; ‘There are no facts, only interpretations’, dampening his own statement for the fact that it may only be an interpretation. Democritus addresses a similar idea that ‘Nothing exists except atoms and empty space; everything else is opinion’, diluting his own stand for the fact that his is also only an opinion. When one is conscious of and a witness to this debilitation (dampening and dilution), a new space emerges, where distinct identities commingle.
Beneath the apparent word and image, lies a universality where differences unite and contradictions cease to exist.
This is a space devoid of separation where one can be busy, idling time, everything is nothing, absence is presence and presence is absence,
either, or, neither, nor…